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COMPENDIUM
ESSAYS
MISC.
historic
Abstract Film
Animation
Architecture
Expanded Cinema
Color Organs
Film Score
Games
Gesamtkunstwerk
Graphic Notation
Interactive Art
Sound art
ArtistMusician
Light Shows
Literature
Live Visuals
Painting
Music
Musical Theater
Music Video
Performance Art
Software Art
Sonification
Sound Design
Dance
Dance Film
Video
26 Topics in Compendium
systematic
Audiovisual Perception
Color-Sound-Analogies
Conceptual Correlations
Montage
Parameter-Mapping
Structural Analogy
Synchronization
Synesthesia
Transformation
9 Topics in Compendium
Introduction to the compendium
Introduction to the essays
Hybrids at the Interface of Sound and Vision
Separation and Conjunction
Deaf Dumb Mute Blind
The Expanded Image
Between the Poles of Mickey Mousing and Counterpoint
Sound and Image Worlds in Pop Music
Audiovisual Interactive Art
On Hearing Eyes and Seeing Ears
The Question of Thresholds
Audition and Ergo-Audition
12 Essays in Archive
EXHIBITION
SEE THIS SOUND
Promises of Music for the Eye
Unreconciled
Borderline Art
New Modes of Perception
Come Together—Let’s Dance
Site.Sound.Industry
Audiovisual Experiments
Background Noises—Institutional Sounds
8 Areas in the Exhibition
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Work
Tarantella
No worktext for this work available.
previously read texts
Tarantella
Graphic Notation and Musical Graphics
Gesamtkunstwerk
undefined
The Film Score
Color Organs
Expanded Cinema
Architecture and Music
Sound in Animation
Absolute Film
Print Text
Mary Ellen Bute (Director)
Workdetails
original Title:
Tarantella
Date:
1940 – 1941
Duration:
4 min
Genre:
Short film
,
Dance film
This work is issued in following texts
Cinedance, Dance in Cinema, and Dancing Cinema
1. Dancing Light, Dancing Forms, and Dancing Objects