Laut-Malereien: Grenzgänge zwischen Kunst und Musik (Frankfurt a. M.: Campus Verl., 1995)

»What struck me in particular at the time was the accuracy, the rigor of the division of the space into two more or less equal parts, which was varied very easily by means of a subtle invention, which (despite its variation being reduced to an absolute minimum) was versatile, thanks to a visible ordering principle. While in other paintings the visible ordering principle vanishes completely, it seems to me, here, that it has been purposely accentuated. That fit in well with my personal endeavors at that time.«

@book{Metken.1995,
 author = {Metken, G\"{u}nter},
 year = {1995},
 title = {Laut-Malereien: Grenzg\"{a}nge zwischen Kunst und Musik},
 price = {DM 36.00, sfr 36.00, S 281.00},
 keywords = {Musik ;Kunst;Geschichte;Musik},
 address = {Frankfurt a. M.},
 publisher = {Campus Verl.},
 isbn = {3593350408},
 permalink = {\url{http://d-nb.info/942607287}}
}