John Cage, »The Future Of Music: Credo (1937)«, in: Silence: Lectures and Writings, (ed.) John Cage (Middletown Conn: Wesleyan Univ. Pr, 1961)

»to provide complete control over the overtone structure of tones … and to make these tones available in any frequency, amplitude, and duration.«

»new methods will be discovered, bearing a definite relation to Schoenberg’s twelve-tone system.«

@incollection{Cage.1961,
 author = {Cage, John},
 title = {The Future Of Music: Credo (1937)},
 pages = {3-6},
 publisher = {Wesleyan Univ. Pr},
 editor = {Cage, John},
 booktitle = {Silence: Lectures and Writings},
 year = {1961},
 address = {Middletown  Conn}
}