Fifty Years of Composing Computer Music and Graphics: How Time’s New Solid-State Tractability Has Changed Audio-Visual Perspectives, John Whitney (Hg.), 1991

@article{Whitney.1991,
 abstract = {In this decade, real-time computer generation of both musical and visual design has become a practical reality. This calls for a new kind of composer with both musical and visual talents. The nature of visual motion that is patterned and colored to join with the motions and colorations of musical pattern is ill-defined and little understood. With a few tentative definitions and descriptions, the author proposes many more initiatives in the near future, as the technology of personal computers and the artists to employ them evolve for fine art as well as popular art.},
 author = {Whitney, John},
 keywords = {artist, synaesthesia, visualmusic},
 title = {Fifty Years of Composing Computer Music and Graphics: How Time’s New Solid-State Tractability Has Changed Audio-Visual Perspectives},
 url = {\url{http://www.jstor.org/pss/1575668}},
 pages = {597-599},
 volume = {24},
 number = {5},
 year = {1991},
 journal = {Leonardo}
}