242.Pilots: Live in Bruxelles, Peep Delish: VJ Miixxy—a Selection of Works, The Nature of Being

Abe Shuya (Chap. 3), Beck Stephen (Chap. 3), Bush George H. W. (Chap. 4), Fry Ben (Chap. 7), Greenewalt Mary Elizabeth Hallock (Chap. 1), Griffiths Dave (Chap. 7), HC Gilje (Chap. 6), Kurokawa Ryoichi (Chap. 6), Mink Olga (Chap. 6), Paik Nam June (Chap. 3), Puckette Miller (Chap. 7), Reas Casey (Chap. 7), Ulto Melissa (Chap. 5), VJ Miixxy (Chap. 8, 5), VJ Oxygen (Chap. 6), Wilfred Thomas (Chap. 1)

242.pilots (Chap. 6), Coldcut (Chap. 4), Cycling ’74 (Chap. 7), Duvet Brothers (Chap. 4), Emergency Broadcast Network (Chap. 4), Gorilla Tapes (Chap. 4), JazzMutant (Chap. 8), MTV (Music Television) (Chap. 5), NewTek (Chap. 4), OMA International (Chap. 7), Pioneer Entertainment, Inc. (Chap. 7), Queen (Chap. 4), Single Wing Turquoise Bird (Chap. 2), Steina and Woody Vasulka (Chap. 3), U2 (Chap. 4), UC Berkeley Center for New Music and Audio Technology (Chap. 5), Zoo TV Tour (Chap. 4)

DVJ-1000 (Chap. 7), DVJ-X1 (Chap. 7), Eyesweb (Chap. 7), Flash (Chap. 7), Gem (Chap. 7), Illuminated Music (Chap. 3), Jitter (Chap. 7), Lemur (Chap. 8), Max/MSP/Jitter (Chap. 7), Modul8 (Chap. 7), Onyx (Chap. 7), Paik/Abe Video-Synthesizer (Chap. 3), Pd (Pure Data) (Chap. 7), Processing (Chap. 7), Tagtool (Chap. 7, 8), VJamm (Chap. 7, 4), Video Toaster (Chap. 4), We Will Rock You (Chap. 4), Wii (Chap. 8), vvvv (Chap. 7)

Entgrenzung (Chap. 6), Materialität (Chap. 7), Performativität (Chap. 1, 5, 6, 8), Polysensualität (Chap. 1), Realtime (Chap. 4, 5, 7, 8), Simultaneität (Chap. 2), club culture (Chap. 5, 6), generative Verfahren (Chap. 3, 5), improvisation (Chap. 5), modulation (Chap. 3), montage (Chap. 4, 5), rhythm (Chap. 4), synthesis (Chap. 3, 8)

1720 – 1960, 1960 – 1970, 1970 – 1990, 1980 – 2000, ab 1990, ab 2000, ab 2000, ab 2000